Coco Romack, "28 Self-Portraits Show the Beauty of Queer Creativity," Out, June 28, 2019.

Lisa L. Moore, “Safe Space, Silo Storage: Outhouse with a View: Lesbian Garden History,” in Queering the Interior, ed. Andrew Gorman-Murray and Matt Cook (London:Bloomsbury Press, 2018), 117-29.

Sara Coughlin, “Ehrlich und ungeschönt: Diese Fotoszeigen die Seite des Stillens, über die keiner spricht,” Huffington Post (Germany) (July 19,2017).

Sara Coughlin, “7 Raw Photos Uncover A Rarely-Talked About Side Of Breastfeeding,” Refinery 29 (April 29, 2017).

Fanny Arlandis,“Allaitement technologique,” Slate (France) (June 30, 2017).

Gabrielle Olya, “Artist Explores ‘Technological’ Aspects of Modern Breastfeeding By Showing Moms Using Breast Pumps,” People (April 24, 2017).

Caralynn Lippo, “These Raw Photos Show the Side of Breastfeeding You Don’t Typically See,” Redbook (April 21, 2017).

Hollee Actman Becker, “These Women's Expressions While Pumping Pretty Much Sum Up How We All Feel About It,” Parents (April, 2017).

“Amamentarnem sempre é a coisa mais ‘natural’ do mundo,” P3 (April 8, 2017).

Ellyn Kail, “Mothers Reveal the Truth About Breastfeeding, in Photos,” Feature Shoot (March 28, 2017).

Priscilla Frank, “Honest Photos of Motherhood Challenge What We Think of As ‘Natural,’” Huffington Post (March 16, 2017).

“Maszyny do karmienia - tak wyglądają młode matki w obiektywie tejfotografki. Co zaaparatura,” (March 14, 2017).

Anna Mendoza, “9 Incredible Photo Stories You Absolutely Can’t Miss,” Buzzfeed (March 10, 2017).

Valerie Siebert, “Powerful Photo Series Shows Mothers,” Daily Mail (March 8, 2017).

Lisa L. Moore, “Women’s Land as Garden History: Art, Activism, and Lesbian Spaces,” in Disciples of Flora: Gardens in History and Culture, ed. Victoria Emma Pagán, Judith W. Page, Brigitte Weltman-Aron (Cambridge Scholars Publishing, 2015), 21-30.

Risa Puleo, “Friendship and Freedom,” Modern Painters (Spring, 2015).

Chelsea Weathers, "A Part of 'Real' History," Pastelegram (2015).

Priscilla Frank, “Look Inside of the Last Remaining All Female Communes," The Huffington Post (June 30, 2015).

“Det første møde,”Politiken  (June 30, 2015).

Iyawó (Kristin Naca), “Life Altars,” Art Papers (March/April, 2015): 33-6.

Risa Puleo, “New Territories of Queer Separatism,” Art Papers (March/April 2015): 46-9.

Nicole Dissner, “Feminist Punk Panel Talks Zines, Radical Politics, and Race,” 16, 2015).

Clarity Haynes, “How We Got Here: Portrait of the Artist as a Queer Feminist," Hyperallergic (March 15, 2015).

Katie Anania, “Critics’ Pick: Friendship and Freedom,” Artforum (January 25, 2015).

Gwendolyn Beetham, “The Academic Feminist: Leah DeVun on Feminist Art and Womyn’s Lands,” (March 24, 2014).

Andrew Russeth et al., “Eight Things to do in NewYork’s Art World Before March 30,” Gallerist (March 24, 2014).

Anthea Black, “No Quaint Past: An Interview with Leah DeVun on Photography, Land Dykes, and their Architectures,” No More Potlucks 31 (2014).

Artist Portfolio, “Habitat,” Invisible City 8 (2014).

Artist Portfolio, “Masculine,” Capricious 14 (2013).

Patrick Range McDonald, “’Latent Images’: ONE Connects Past Queer Culture with Today’s,” LA Weekly (July 26, 2012).

Emily Messer, “Gallery Stroll,” San Antonio Express-News (January 16,2011).

“Critic’s Pick: Art Opening: Leah DeVun and Sarah Sudhoff: Femininity Constructed,” San Antonio Current (January 6, 2011).

Laura Grace Hamer, “Leah DeVun: Women and their Work, Austin,” Artlies: A Contemporary Art Quarterly (July 1, 2010).

Clare Croft, “Our Hands on Each Other: Exploring Feminism, ‘Queerness’ Leads Artist to ‘Womyn’s Lands’ in Mississippi,” Austin American-Statesman (June 27, 2010).

Andy Campbell, “Heads in the Sky; Feet on the Ground: Leah DeVun’s Very Intentional Exploration of Lesbian Space,” Austin Chronicle (June 4, 2010).

Katie Anania, “Critics’ Pick: Leah DeVun and Levi Dugat,” Artforum (October 13, 2009).

Wayne Alan Brenner, "New American Talent: TheTwenty-Fourth Exhibition," Austin Chronicle (August 7, 2009).

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